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They've sustained a three-decade career despite mostly avoiding MTV and college radio and without breaking up in dramatic rock star fashion or any other major controversies. When they emerged, 311 were a proto–nu-metal jam band for potheads. They go for so many different styles and genres that they feel like one of those restaurants with a 20-page menu. They’re cannabis advocates who became known for their goofy-but-conscious raps, splicing all the genres, with some heavy jazz and dancehall influence thrown in there. born in the early ’80s) and overlapped with a lot of predominantly white acts who were following in the Beasties’ wake. 311 are a five-piece from Omaha, Nebraska, who ended up in their spiritual home of Southern California in the ’90s. If you missed 311, it was very much a thing for old millennials (i.e.
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Their live show was the closest thing to a jam band I could engage with, and their logo (still an all-time great one) was practiced on many a Mead notebook cover. Over the next three or four years, I was “that guy.” I saw 311 a good seven or eight times, which is, to this day, still a lot of times to see a band.
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It was their first proper album, Music, and I was 11. However it happened, I had discovered this bootleg tape. Someone’s older brother passed me a tape or something like that. I don’t remember how I came across them originally, because it wasn’t MTV or The Box or via radio. As an adult who has written a decent amount about music over the past few years, I’ve found it deeply embarrassing to admit what a 311 stan I was as a teenager.